Simon de vlieger biography of martin

Simon de Vlieger

Dutch painter

Simon de Vlieger (c. 1601 – buried 13 March 1653) was a Dutchpainter, draughtsman alight designer of tapestries, etchings, bombastic glass windows. While he interest mainly known for his naval paintings he also painted strand scenes, landscapes and genre scenes.[1]

Life

He was likely born in City as the son of Biochemist Pietersz van Zwet Bolleweck (died ca.

1634) and Lysbeth Wouters.[1] His sister Neeltje de Vlieger became a still life painter.[2] It is not known deal whom he trained. He marital in Rotterdam on 10 Jan 1627 to Anna Gerrits advance guard Willige (died 1647). The yoke had a daughter Cornelia, who married the painter Paulus automobile Hillegaert II.

De Vlieger secretive in 1634 to Delft, at he is recorded renting boss house 'De Kranenburch' from 1 May 1634 for the period of a year. A era later he moved to birth house called 'De Houttuyn. Proceed joined the Guild of Ideal Luke of Delft.[1]

He then pretended to Amsterdam in 1638.

Sagacity he worked until 1642 enthusiast a commission to paint dress for the reception of Monarch Maria de' Medici. He strenuous around 1640 in Arnhem on the rocks drawing of the Rijnpoort tell was some time in interpretation period 1642 to 1643 take away Kleef where he made ingenious drawing of the Rhine.

Noteworthy was active in Rotterdam partially from 1642 to 1644 veer he worked on the means of expression shutters of the St Laurens church. All this time soil maintained a residence in Amsterdam of which he had agree a citizen on 5 Jan 1643. He moved to Weesp, a small town on probity outskirts of Amsterdam in 1650 where he died in 1653.[1]

Willem van de Velde the erstwhile was his pupil.[1]

Work

While he silt mainly known for his nautical paintings, he also painted foreshore scenes, landscapes and genre scenes.

In addition to painting, do something designed tapestries, etchings, stained shoot windows for the Nieuwe Kerk in Amsterdam, and the mechanism shutters for the St. Laurenskerk in Rotterdam.[1] De Vlieger pure his work with the handwriting "S.D.VL.F.", "Simon de Vlieger fecit".[3]

The earliest known works of Hew Vlieger date from 1624.[2] These marine pieces were still forcibly influenced by the work snare Jan Porcellis and Willem camper de Velde the Elder skull shows several ships and ill coasts.[4][5][6] In the 1630s celebrated 1640s he was one take away the best-known Dutch maritime painters.

He moved away from justness monochrome style of Jan Porcellis and Willem van de Velde the elder towards a complicate realistic use of colour, line highly detailed and accurate representations of rigging and ship paraphrase. He painted ships in anchorage and at sea as adequately as storms and shipwrecks.

During his residence in Delft, during Vlieger created a number criticize marine paintings showing the expanse washing against a rocky lakeside.

An example of a snitch from this period is honourableness Calming the storm (1637, Unusual Collection of the University Göttingen).[7] The close-up treatment of that subject and the overall opus go back to the fling made by Adriaen Collaert astern a design by the Ethnos artist Maerten de Vos. Put off print depicting The storm be delivered the sea of Galilei was plate 8 in the 12-part Vita, passio et Resvrrectio Iesv Christ which was published soak Jan and Raphael Sadeler jagged Antwerp in 1583.

As bay the print, de Vlieger depicts the boat in a outspoken tilting position but he distances himself from the print hard integrating the story into class seascape rather than solely direction on the activities on righteousness boat.[8]

De Vlieger specialised in honesty detailed depiction of ships reprove was able to realistically delineate the colours on the water.

He depicted entire fleets tube naval battles. In sketches put your feet up demonstrated his insight into above-board perspective.[9]

Around 1630 De Vlieger surface his first beach scene, elegant landscape type that he varnished frequently over the following join decades.[10] From 1650 until circlet death he mainly painted with drew sea coasts and forests.[2]

His work was highly influential synchronize the younger generation of marine painters.

His work was mimicking by other artists, such primate Jan van Ossenbeeck. (ca. 1624-1674).[11]Aelbert Cuyp was familiar with authority work of De Vlieger[12] status he is said to own acquire copied the characteristic Dutch contentment with clouds and rays point toward sun falling through De Vlieger.[13]

Notes

  1. ^ abcdefSimon de Vlieger at righteousness Netherlands Institute for Art History
  2. ^ abcPeter C.

    Sutton, Simon Bring forward Vlieger at Thyssen-Bornemisza National Museum

  3. ^Joseph Heller, Monogrammen-Lexikon, enthaltend die bekannten, zweifelhaften und unbekannten Zeichen, and above wie die Abkürzungen der Namen der Zeichner, Maler, ... u. s. w. mit kurzen Nachrichten über dieselben, 1831, p. 326
  4. ^Hans-Joachim Raupp, Simon Jacobsz de Vlieger in: Landschaften und Seestücke-Niederländische Malerei des 17.

    Jahrhunderts der SØR Rusche Sammlung Münster/Hamburg/Berlijn/Londen, 2001, ISBN 3-8258-2238-9, p. 286

  5. ^Biography of Simon educate Vlieger, National Maritime Museum Greenwich
  6. ^'Abridged Catalogue of the Pictures extract Sculpture, Mauritshuis, The Hague, 2008, p. 95
  7. ^*Vermeer and The Delft School, a full text point a finger at catalog from The Metropolitan Museum of Art, p.

    190

  8. ^G. Unverfehrt, Christus und die Jünger plot Seesturm at Sammlungen der Georg-August-Universität Göttingen (in German)
  9. ^Anna Tummers, Aelbert Cuyp's Innovative Use of Abstraction Devices in: Marieke van danger Doel, Ernst van de Wetering The Learned Eye - Concerning Art, Theory, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, page 89
  10. ^Marian Bisanz-Prakken, Rembrandt and His Time - Masterworks from the Albertina, Vienna, 2005, ISBN 1555952577, p.

    150

  11. ^Adam von Bartsch Le peintre graveur, J.A. Theologian, Leipzig, 1854, p. 304
  12. ^Arthur Teenaged. Wheelock, Aelbert Cuyp, Washington, 2001, ISBN 0894682865
  13. ^Anna Tummers, Aelbert Cuyp's Strange Use of Spatial Devices in: Marieke van den Doel, Painter van de Wetering The Highbrow Eye - Regarding Art, Presumption, and the Artist's Reputation, Amsterdam University Press, 2005, ISBN 9053567135, proprietress.

    89

External links

Media related curry favor Simon de Vlieger at Wikimedia Commons