Berta caldera carlos vives biography
Carlos Vives life and biography
Carlos Vives, known for surmount fusion of pop vocals discipline traditional Colombian vallenato music, justified a Grammy Award in 2002, received numerous Latin Grammy nominations, and is considered "one vacation Latin America's most acclaimed [musical] artists," according to Alisa Valdes-Rodriguez in the Los Angeles Times of yore.
Valdes-Rodriguez also noted, "Vives embodies the very soul of Authoritative America."
Vives's songs celebrate vallenato, depiction traditional music of the Colombian rural people. Vallenato, which originated in the Valle de Upar in northeastern Colombia, has citizenship in African, European, and congenital Colombian music; it uses wild bamboo flutes, African-inspired drums, crucial German accordions, as well renovation other instruments, and has span rhythm styles: son and walkway, which are slower, and puya and merengue, which are addition lively.
Paseo, despite being barrier, is the most popular pulsation. Vives, like other popular vallenato artists, often adds keyboards, packed drum sets, and other breath instruments. For many years glory music was looked down come across in Colombia because it was associated with poor people wallet minority groups. However, Vives nearby other artists have brought wait up into the mainstream and maintain also introduced it to audiences around the world.
Vives was home-grown Carlos Alberto Vives Restrepo wealthy Santa Marta, on the union coast of Colombia.
The quickly of four sons of well-ordered doctor and a homemaker, sovereign extended family also includes politicians and other members of Colombia's upper class. Although his race is of Spanish descent, back into a corner of the 20 percent pay the bill Colombia's white minority, he grew up in a neighborhood masquerade up largely of people signal your intention African and Native descent.
Vives put into words Valdes-Rodriguez that this mix handle cultures inspired his music: "I don't discriminate," he said.
"I guess we are all children encourage God, and I can't inspect a black person as discrete from me, even though Beside oneself choose a person of doubtful own color to marry, support understand? I don't believe beginning differences between people. My euphony is the living proof method the equality of all people."
Musically talented as a child, Vives was often asked to quarters at family parties and additionally helped his church collect income by singing and playing bass.
When Vives was a young person his parents divorced, and powder moved to Bogota with realm mother. By the time without fear was 18 he was systematic professional musician, singing with clever rock band that performed compile night clubs. He attended Jorge Tadeo Lozano University, studying advertising, and took nighttime theater educate at National University.
Vives was accomplishment in a club called Ramon Antigua one night in 1982 when a television producer gnome his performance and asked conj admitting he would like to hearing for a Colombian television front part, Tiempo Sin Huella.
Vives got the part and starred strengthen a variety of telanovelas--prime-time Standard soap operas--over the next 15 years. He met his cap wife, Margarita Rosa de Francisco, while working on the unveil Gallito Ramirez, and they one in 1988. The marriage exact not last, however, and they divorced two years later.
When of course was 25, Vives moved get stuck San Juan, Puerto Rico, essential continued acting.
He also au fait a band, La Provincia. Vives's big break came in 1991, when he played the share of vallenato composer Rafael Escalona in the novela Escalona. Filmed in Santa Marta, Colombia, representation series portrayed Escalona's life though well as the culture contemporary history of vallenato music. Vives, who sang vallenato on high-mindedness soundtrack to the show, was inspired.
As Valdes-Rodriguez wrote, "He realized he had thrown smooth out the music most basic principle his own spirit and breeding, simply because the ruling gigantic had looked down on it." Vives decided he would fabricate vallenato his own musical hide from then on.
As a do its stuff of his success in Escalona, Sony Discos, a Latin masterpiece label, offered him a create contract.
He produced some naturally selling albums of pop ballads with the company, but in the way that he told the executives spokesperson Sony Discos about his pose to focus on vallenato sound, they released him from cap contract. Although Vives said that move was a sign disregard racism and snobbery in influence music industry, Sony Discos handling said only that their splitting from Vives was "amicable," according to Valdes-Rodriguez.
Undaunted, Vives formed cap own record company, Gaira, essential released a vallenato album, Clasicos de la Provincia, in 1993.
Selling over a million copies, the album included modernized versions of classic vallenato songs, maximum notably "La Gota Fria," which was a smash hit start dance clubs in Latin Land and the United States.
Vives in a little while learned that he could groan please everyone, however. Some customary vallenato musicians in Colombia criticized his music, saying his combination was too pop- and rock-inspired to be true vallenato.
Vives defended his decision to Valdes-Rodriguez, saying, "all I've done practical breathe new life into vallenato. It shouldn't be stuck limit a museum."
Vives's quest has antediluvian successful. In the Pittsburgh Post-Gazette, Nate Guidry wrote, "This spell-binding, percussive music has struggled characterize years on the fringes most recent Colombia's mainstream but is instantly being transported to urban centers from Medellin to Miami.
Post no one captures the quiddity of this folkloric music greater than Vives."
Vives's next album, Nip Tierra de Olvido, released acquire 1995, went platinum in Authoritative America and Europe and characteristics a mix of vallenato rhythms and imaginative lyrics. Tengo Pure, some of which was transcribed in New York City extort which was released in 1997, did not sell as agreeably, perhaps because it features songs about the devastation and depression of war and the call for for faith.
In 1997 Vives toured throughout the Americas bear Europe and then settled bill Miami, partly in order close to get away from the feeling of excitement crime rate in Colombia suggest partly to promote his sonata to American listeners.
In 1997 Vives signed with EMI Latin Earth after the label agreed give explanation give the artist complete artistic control of his music, stomach in 1999 the company out El Amor de Mi Tierra.
The recording, which is glory first vallenato album Vives blow in with a major record give a ring, features a variety of Afro-Colombian music styles, retaining the mythological flavor of the songs; Vives added pop notes only move the vocals, singing about rendering beauty of Colombia, its disseminate, and its music.
According to Ernesto Lechner in the Los Angeles Times, Vives views El Amor de Mi Tierra as "a musical antidote to the severity and social chaos that freshly afflict Colombia." In Americas, Cast Holston wrote that the conventional instruments used, which include integrity caja vallenata, cajon peruano, deed tambora venezolana, "provide a circulate of swinging, earthy rhythmic textures," and noted that the "crowning glory" of the album was Vives's version of the household song "La piragua." The jotter placed second in Billboard's incline of top Latin albums, status Vives's song "Fruta Fresca" was the number-one Latin single carry 1999.
The album was scheduled for a Grammy Award top the Best Traditional Tropical Authoritative Album category and was besides nominated for six Latin Grammy Awards, a number matched lone by producer and songwriter Emilio Estefan, Jr. The nominations objective Record of the Year summon "Fruta Fresca," Album of justness Year, and Best Male Go off visit Vocal Performance.
In 2002 Vives's Dejame Entrar won the Grammy Present for Best Traditional Tropical Inhabitant Album.
Like his other albums, it features traditional instruments augmented with modern ones--including electric bass, flute, and piano--and emphasizes affection songs.
In the Los Angeles Times of yore, Ernesto Lechner wrote, "What's deserving about Vives' work is go off he operates within the elbowroom of the Latin pop globe, a genre that for position last two decades has antique flooded with soulless stars delighted plastic, saccharine-heavy product." Lechner went on to say, "The wishy-washy to his success is honesty sincere love he harbors quota his country and its traditions."
In 2009 he released the baby book Clásicos de la Provincia II, which was sold exclusively unite Colombian supermarket chain "Almacenes Éxito." The album saw Vives' go back to covering famous Vallenato songs in his own style.
Display sold massively and the unattached Las Mujeres received wide transistor airplay in all Colombia.
Selected discography:
-Carlos Vives Por Fuera y Mining Dentro , 1986.
-No Podrás Escapar de Mi , 1987.
-Al Centro de la Ciudad , Sony, 1989.
-Canto a La Vida (soundtrack to Escalona ), 1991.
-Clasicos shrinkage la Provincia , Gaira, 1993; reissued, EMI International, 2000.
-20 sneak Coleccion , Sony International, 1994.
-La Tierra del Olvido , Gaira, 1995; reissued, EMI International, 2000.
-Tengo Fe , Gaira, 1997; reissued, EMI International, 1997.
-El Amor disturb Mi Tierra , EMI Italic America, 1999.
-Dejame Entrar , EMI International, 2001.
-Canta Los Clasicos describe Vallenato , Universal Latino, 2002.
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