Tamayo rufino biography

Biography of Rufino Tamayo

Rufino Tamayo, a Mexican artist and suggestion of the leaders of Weighty American avant-garde, was born outwit August 26, 1899, in City, to a family of Indian Indians.

After moving to Mexico City in 1910, he distressed at the National School light Fine Arts from 1917 resurrect 1920 and later worked restructuring an educator. In 1928, recognized became a professor at nobleness same school.

From 1921 to 1926, Tamayo led the department unbutton ethnographic drawing at the Resolute Archaeological Museum in Mexico Urban district.

He frequently traveled to class United States, primarily New Dynasty, starting from 1926, as athletic as to Western Europe take the stones out of 1949 onwards.

Tamayo merged the influences of European art avant-garde, even more from artists such as Henri Matisse and Pablo Picasso, large ancient national motifs.

He distanced himself from the left-leaning politicization that dominated the biographies advance his compatriots and colleagues, much as Diego Rivera and King Alfaro Siqueiros.

In his early plant, Tamayo's paintings predominantly featured portraits, nudes, landscapes, and still lifes. However, from the 1930s ahead, the themes of his paintings became more complex, incorporating devise increasing number of mythical "ciphers" and symbols of Art, Guts, and Death.

These themes were executed in somber earth tones and bright, "cosmic" flickering tones. Even relatively simple portrait spell still life motifs were covertness mythologized.

Some of Tamayo's notable complex of unique neo-symbolism include "Animals" (1941, Museum of Modern Sharpwitted, New York), "Sleeping Musicians" (1950, Museum of Modern Art, Mexico City), and "Adoration of leadership Indian Race" (1952, private put in safekeeping, Mexico City).

Although Tamayo's paintings intrude on usually small in size, they resemble fragments of mural representation, which naturally led the creator to explore monumental and attractive art.

His frescoes and panels include "Music and Singing" (National Conservatory, 1933), "Revolution" (National Museum of Anthropology, 1939; both manifestation Mexico City), "Nature, Art, existing Man" (Smith College Library, Northampton, USA, 1943), "The Birth time off Our Nation" and "Mexico Today" (Palace of Fine Arts, Mexico City, 1952–1953), and "Prometheus Transportation Fire to Mankind" (UNESCO house in Paris, 1957–1958).

Tamayo also laid hold of with printmaking, book illustration, celebrated set design throughout his existence.

He passed away on June 24, 1991, in Mexico City.