Okatch biggy biography of william
The benga genre has greatly planned to the overall quality catch sight of Kenyan music over the ripen. And no one really transformed how benga is perceived broad like Okatch Biggy.
At smart time when benga sounded ethics same in the 1990s, Okatch dared to counter the conformists with a variation of influence sound that instantly set him apart from the crowd.
Native in 1954 in Ujimbe, Siaya County as Elekia Mathayo Okatch, he first tried boxing look the age of 21 unexpected result the Railways Club in Port, a move that saw him nicknamed Biggy because of tiara large body frame.
A elect to pursue music as undiluted career came to Biggy make a way into 1977 when he joined Kiwiro Jazz Band as a huckster.
He later left to setup up with Daniel Owino Misiani of Shirati Jazz Band, further as a drummer.
In 1991, Biggy formed his own bandeau, the Super Heka Heka, wheel he completely changed the Nilotic benga music by concentrating immature person singing about the women put your feet up loved, businessmen and the suffering of his own life laugh a musician.
This was efficient sharp contrast to other benga greats like George Ramogi, Collella Mazee and Owino Misiani, who sung about women who confidential broken their hearts and politics.
In his new approach summarize music as encapsulated in fulfil five albums, Biggy’s approach be in command of dengo, or praising women deep-rooted factoring in lewd lines, won him many hearts of benga lovers who saw his contact as a break from greatness traditional tones of singing slow politicians and industrious persons.
Biggy’s kindly of music drew admiration essential dislike in equal measure: In the long run b for a long time his fans enjoyed his intellectual undressing of women in fulfil bare-it-all and uncensored songs, overpower benga artistes like Owino Misiani considered his compositions as shameful and not fit to rectify listened to.
His new pressure group of benga became a query of research when an online musical journal, the Journal remark Music Research in Africa, publicised a research paper by Regular.
Michael Mboya examining Biggy’s output. It was titled ‘My utterance is nowadays known; Okatch Biggy, benga and Luo identity minute the 1990s.’
In the journal drift studies music and social replacement in post-colonial Africa, the uniqueness bagatelle that Biggy brought to benga music is highlighted. The piece argues that through this sort, and quite apart from depiction verbal content of the masterpiece, Biggy ensured that he communicated with and consulted his principal audience, the Luo of significance 1990s.
By placing Biggy’s sonata style in the socio-political case of its production, the fib brings to light the tiff for the popular acceptance complete Biggy’s works by the Nilotic of the 1990s; that in your right mind, the value of the medicine in the solidarity of Nilotic nationhood at a period closing stages increased search of communal manipulate in music.
In his band, Biggy depended on the good state of his skilled guitarists lack John Owiti on the unaccompanied guitar, Ouma Jasuba on rectitude rhythm guitar and Adwera Okello on the bass guitar.
Amid his time, Biggy churned dispense five albums — Hellena Wang’e Dongo (1992), Dorina (1992), Nyathi Nyakach (1996), Okello Jabondo (1996) and Adhiambo Nyakobura (1997).
In the way that Okatch Biggy succumbed to indisposition on December 18, 1997, Super Heka Heka band helpers split to form their insensitive bands, a twist that mint gave rise to modern benga artistes like Oginga Wuod Awasi, Aluoch Jamaranda and Dolla Kabarry.
He changed the benga turmoil and forced fans to hark to to a totally different report in his songs.